Nari Nari Naduma Murari is a 2026 Telugu-language romantic comedy film that was released in theatres on 14 January 2026, timed for the Sankranthi festival season.
Overview of Nari Nari Naduma Murari
The film is directed by Ram Abbaraju, known for his earlier work on Samajavaragamana, with a story by Bhanu Bogavarapu and Nandu Savirigana, who also co-wrote the screenplay alongside the director. Anil Sunkara and Ramabrahmam Sunkara produce the film under the AK Entertainments and Adventures International Pvt Ltd banners. Cinematography is by Gnana Shekar V. S. and J. Yuvaraj, editing by Nakka Venkat Swamy, and music by Vishal Chandrashekhar.
The film leans into a “hero caught between two women” romantic-triangle template, paired with a parallel family-comedy track, aiming for broad, festival-friendly appeal.
Production
The film was produced under AK Entertainments and Adventures International Pvt Ltd, timed deliberately for a Sankranthi release. Its first show was notably scheduled for 5:49 pm on 14 January 2026 rather than a traditional morning slot, a choice reportedly made for numerological and astrological reasons tied to the timing of Ekadashi. The film runs 145 minutes.
Key Details
|
Detail |
Information |
|---|---|
|
Director |
Ram Abbaraju |
|
Starring |
Sharwanand, Samyuktha, Sakshi Vaidya, Naresh, Vennela Kishore |
|
Music |
Vishal Chandrashekhar |
|
Release Date |
14 January 2026 |
|
Language |
Telugu |
|
Running Time |
145 minutes |
Main Scenes
The Kerala romance
Gautham and Nithya, both architects, fall in love during a stay in Kerala, establishing the film’s central romantic pairing.
The father’s confession
Nithya reveals her relationship to her father, Ramalingaiah, a divorce lawyer, setting up the family-approval conflict that runs through the story.
Karthik’s unconventional love story
Gautham’s father Karthik decides to elope and remarry a much younger woman against her family’s wishes, with Gautham stepping in to help, a parallel comic-family track running alongside the main romance.
Dia re-enters the picture
Complications from Gautham’s past relationship with ex-girlfriend Dia resurface, threatening the stability of his engagement to Nithya.
The hospital sequence
A widely praised set-piece blending comedy and emotional beats, often cited as one of the film’s standout crowd-pleasing moments.
The comic ensemble stretch
A series of loosely connected comic episodes involving Naresh, Vennela Kishore, and Satya’s auto-driver character, which reviewers noted carried much of the film’s humor.
The climax resolution
The film wraps up the tangled romantic and family threads, though several critics felt this final stretch was executed less effectively than the rest of the film.
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